Week 30 for Documented Life project
1 hour ago
Hello Malinda, First of all, I don't know why you feel a struggle with acrylics because It certainly doesn't show here. You have created a powerful and dramatic story with these images.
♥She is mysterious. And I think the juxtaposition of her with her swans is very interesting. In the moonlight, they are "black" swans....sorta like her. I think you might define the swans right where the body is touching the water with a very tiny tiny hint of a white (irregular) line. In other words, separate them from their shadow. It is like a little reflected light at their edge.
♥The mystery of where she is continues and we are wondering, if that is a window to her world. I think you could give the bars a hint of being a window with a dark line at the bottom of the bar where it connects to the horizontal bar. And then a miter/diagonal line at the corner. That would be enough but if you wanted to carry it a little further, load your brush with a very very light load of paynes gray and run a very tiny stripe of it on the left side of each bar and along the inside bottom bar. It will add a little depth to the flat bars.
♥I like the drama of this piece. I like that she doesn't look like Jennifer and I would not have known if you hadn't told us. I like love her green eyes. And her voluptuous lips.
♥The limited color palette works wonderful. I can see just a hint of her lip color in the cityscape of her world and I wonder how maybe a few more tiny dots of that would work. I wonder if it would be like markers on a map. Part of the mystery.
You have created a wonderful story with the few images you chose. Next time we want to see the "before".
When you feel like you are all done, please do show in the Gallery because this piece makes us want to respond to it. That is what ART should do.
Hello Students, just wanted to remind you that this is the Classroom where no talking is allowed. Just watch over our shoulder and then when the piece is finished, the artist will post in the Gallery where talking, shouting, clapping and jumping up and down is most certainly allowed, appreciated and encouraged. ♥
Oh Sharon! My husband is laughing at me now because I am crying tears of joy! I never imagined you would find it a powerful and mysterious piece, even though my husband had told me the same thing and his usually pretty honest.
What he can't give me is all of your very detailed and thoughtful feedback. You look at EVERY aspect of the piece and then give suggestions. I really do love your way of teaching ; ) and I am going to add those touches you've suggested. Wonderful suggestions, each one of them made me think, huh, I should have thought about that! Thank you for doing the heavy thinking for us ; ) And thank you for your compliments, that should keep me on another cloud for a couple of days at least!!
And yes, I'm disappointed too that I don't have the before shot, that's half the fun. I won't make that mistake again.
Warmest regards and hope your coffee was perfect this a.m. I'm sipping mine as I type from my bed with my MARTHA STEWART magazines that just came in the mail while I was responding. Now I can find cool things like bowls of lemons and stuff ; )
With much warmth, Malinda
|Me in Collage|
|small pocket folders on my desk|
|silly me profile pic today|
|silly me profile pic today|
Sharon, I am so happy I am taking this workshop! So often I never know where to start and I can see the magic in this process. I am getting ready to go over my stash. My husband always teases me about all my loose magazine images. He just doesn't get it! Happy, happy I am in this class!".....I can see the magic...." that's my favorite part. Because it does feel like magic!
|this is me today. it's a crop from a|
larger piece. I call the crop