Thursday, September 26, 2013

Sister Friends show up on Catrina ATCs

Catrina ATCs
Do you recognize these girls in face paint?

Catrina face painting in progress
Much to say
and
I don't know where to begin.
So, first I guess I shall share that I am going to Mexico next month which should explain why all of a sudden I'm painting Catrina faces.
I need many for an ATC trade with other artist.
New paint palette
But mostly I wanted to share with you;
My new paint palette.
What led to it.
and
Although early for a full-on review...

I'm sharing some of what I know so far.

First, what led me to a new palette?

Well, if you have taken one of my online classes,
you know that I use a very tiny homemade palette.
Which is for the purpose of getting the view of the palette in the video instruction. I feel it is helpful for the student.

Second, while I haven't painted much this year, I started painting much larger canvases and on a humongo easel.
and
still using that tiny homemade palette.
It was time to get loose with paint.

I realized that I was still in the pre-retirement mode when I had only short time periods to paint and didn't want to lay out a palette and let the paint go to waste.
 
I needed to make some changes and get out of the pre-retirement mode!
That's when I happen to see this post about her paint palette.
In her video, Gillian Lee Smith, told about using a Masterson Sta-wet palette.

I decided, it was time I should give it a try. 
After all, I was painting huge and needed huge quantities of paint out. 
Hahaha
Except for my big journal page (previous post) the "big" paintings I am doing are these 2.5 inch X 3.5 inch little ATCs.

Here's what I know so far about the palette:

  • Trying to mix the three pools of dark, medium, and light values in the middle was very awkward for me. The palette sides seemed to be in the way and I kept getting my hand and arm into the paint already laid out around the edges. A different palette knife will fix that (I think).

  • I may have left the sponge and acrylic film palette too wet. As you can see, the paint looks and is very runny.

  • When I needed a color that wasn't out, I found myself reaching for my tiny homemade palette. Maybe I need two of these.

  • I didn't do a good job of laying out the paint around the edges. I'm sure I will do better the next time. 

  • Only once when unexpected company from Oklahoma showed up did I walk off and leave the top off. When discovered, several hours later I put the top on and it seems to be just fine and juicy.

  • I'm sitting at my desk with the palette and little ATCs. However, I'm trying to think how I will situate me, my humongo easel and new filled palette when I start on a large canvas. 

  • Yes, indeed I think my paint will last a long time and I won't be wasting dried up paint.

  • And I think the bonus is, I am more inclined to sit down and paint knowing the paint is right there waiting for me. 
LOVE THAT!

♥

Sunday, September 22, 2013

Catrina in my journal

Catrina Face
Big Moleskine

I'm showing up this morning with a bee in my bonet.
Playing with a new palette
and
new subject.
I'll save the details for a new post.
♥

Sunday, September 15, 2013

Art Journaling

I've been straightening, purging, and general piddling in my studio.
I'm sure I don't have to say that I have been disinterested in paints or painting this year.
So with a suggestion from a friend, I pulled out my giant Moleskin and tried to "get out of your own head".
It was great advise, but first I had to sit around and think about what that means.
I don't think I figured that out; however, I tried and I enjoyed the freedom of playing in my journal.
♥

Friday, September 06, 2013

A New Art Apron from an Old Blouse

New Apron Back
The blouse before destruction
Destruction

Art aprons make me so hot and yet, I must wear one; otherwise, all of my clothes would carry the evidence.

So this weeks creative venture is to make a new art apron with very lightweight 100% cotton.
Of course the making has to be fun.
And I think you can decipher what I have done so far.
My plan is to bind the raw edges by hand stitching and embellishing with cloth fragments.
Inspiration is from Jude Hill. I am enjoying an online class with her called What If Diaries I.
♥